11/8 x 9 3/8 in. (28.3 x 23.8 cm)
Edition of 15
Deckled and torn edges.; numbered, titled, and signed in pencil within image lower right; embossed with the artist’s and printer’s chops. Lithographs printed by Edward Hamilton on Wayne’s own Rives with Tamstone watermark.
Neuberger Museum of Art, 1997; Pomona College, 1992; Macquarie Galleries, 1989; Fresno Art Museum, 1988; Print Club of Philadelphia, 1985; Associated American Artists, November 1985; Galerie des Femmes, 1985; Espace Pierre Cardin, 1983; Port of History Museum, 1983 (illus.); Northern Illinois University, 1982 (illus.); Occidental College, 1980; Security Paciﬁc Bank, 1980; Pomona College, 1978 (illus.)
Brodsky Center, Los Angeles County Museum of Art, Bibliothéque National de France , Museum of Modern Art, National Gallery of Art, New York Public Library, Williams College, Museum of Art
Gilmour, 1992; Museum of Modern Art, 1936,- 7712 O'Melveny and Myers Collection, 1981
"State I is an absolute masterpiece. It’s like the ﬁrst state of Silent Wind in that respect; there is nothing I could do better. It's a tiny print, but so dynamic and crisp. The image works so beautifully. It all comes from oxidation on the plate. I don't think that | used any stop—out at all, just peau de crapaud carried to the nth degree." - June Wayne (Source: The Art of Everything, Robert Conway, 2007)